{"id":3035,"date":"2025-02-01T12:54:24","date_gmt":"2025-02-01T12:54:24","guid":{"rendered":"https:\/\/trace.ces.uc.pt\/output\/ana-cristina-santos-contribui-para-a-coluna-between-the-lines-da-sociedade-eslovena-de-sociologia\/"},"modified":"2026-01-16T14:32:39","modified_gmt":"2026-01-16T14:32:39","slug":"ana-cristina-santos-contribui-para-a-coluna-between-the-lines-da-sociedade-eslovena-de-sociologia","status":"publish","type":"output","link":"https:\/\/trace.ces.uc.pt\/pt-pt\/output\/ana-cristina-santos-contribui-para-a-coluna-between-the-lines-da-sociedade-eslovena-de-sociologia\/","title":{"rendered":"Ana Cristina Santos contribui para a coluna “Between the Lines” da Sociedade Eslovena de Sociologia"},"content":{"rendered":"\n
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A convite da Sociedade Eslovena de Sociologia<\/strong>, a Professora Ana Cristina Santos<\/strong> contribuiu para a coluna Between the Lines<\/em> – um espa\u00e7o onde a sociologia e a fic\u00e7\u00e3o se cruzam para interpretar o mundo social<\/strong> – partilhando um dos livros que mais influenciou o seu pensamento acad\u00e9mico e o seu percurso de investiga\u00e7\u00e3o.<\/p>\n\n

O trabalho selecionado foi Regressa a Reims<\/strong><\/em> de Didier Eribon<\/strong>, publicado originalmente em 2009 e posteriormente editada pela Penguin Books (2019)<\/strong> e pela Iztok Ilc (2022)<\/strong> na sua edi\u00e7\u00e3o eslovena. A contribui\u00e7\u00e3o original de Ana Cristina Santos foi escrita em ingl\u00eas e posteriormente traduzida para esloveno para publica\u00e7\u00e3o. <\/p>\n\n

Na sua reflex\u00e3o, Ana Cristina Santos explora a forma como o livro de mem\u00f3rias de Eribon – escrito de um ponto de vista sociol\u00f3gico e psicossocial – ressoa com a sua pr\u00f3pria investiga\u00e7\u00e3o sobre quest\u00f5es LGBTQI+, envelhecimento, classe, perten\u00e7a e desloca\u00e7\u00e3o<\/strong>. Destaca o poderoso envolvimento do livro com traject\u00f3rias de vida, rupturas sociais, mem\u00f3ria e a rela\u00e7\u00e3o duradoura com os locais de origem, temas que tamb\u00e9m emergem fortemente do seu trabalho de campo com hist\u00f3rias de vida queer. Enquadrada como uma narrativa de transforma\u00e7\u00e3o, Regresso a Reims<\/em> \u00e9 descrita como uma obra sobre “romper, libertar-se, sair – para reconstruir<\/strong>. <\/p>\n\n

—<\/p>\n\n

Returning to Reims, by Didier Eribon <\/p>\n\n

Ingl\u00eas<\/em><\/p>\n\n

Being a compulsive reader of fiction, my sociological work on LGBTQI+ issues and ageing has been influenced by a number of authors and books over the years. The moment of selecting that one book is always daunting. Fortunately, when looking back and even in my recent readings, other books would have equal standing in this reflection about diversity, displacement and the search for a sense of self, crucial to becoming a subject of rights. However, something touched me beyond words when reading Returning to Reims, by Didier Eribon, published originally in 2009 and, later on, in an English translation with Penguin Books. Truly overwhelming and beautifully written, this is a story that cuts across a thousand layers of belonging and letting go, like an always unfinished melody, intersecting rural and urban, class, sexual orientation, loss, ruptures and discoveries along the life course. Written by a sociologist, it is a memoir about becoming \u2013 or coming of age, if you prefer \u2013 written in the most poignant, honest way. The style of writing, making clear use of a psychosocial approach, resonates with much of what I encountered during fieldwork with queer people, whose life stories, despite their diversified backgrounds, seemed to converge in this shared pain regarding their \u2013 daily or mediated by past memories \u2013 relation with the place of origin. Do we ever escape it, fully? Do we dream about returning, actually? What is there that is so terribly painful and simultaneously inescapably hopeful when looking back and putting our childhood self and ourselves today side by side? Is our work a way to respond to challenges faced back then or do we somehow hope we may contribute to transform a place by simply embracing the extent to which we changed over the years? In one sentence, this is a book about breaking up, breaking free, breaking out \u2013 to rebuild. The perfect moment to recall another unsurmountable (fictional?) writer who once said \u201cThere is a crack in everything, that’s how the light gets in\u201d (Leonard Cohen, Anthem). <\/p>\n\n

Esloveno<\/em><\/p>\n\n

Ker sem obsedena bralka leposlovja, je na moje sociolo\u0161ko delo o LGBTQI+ vpra\u0161anjih in staranju tekom let vplivalo veliko avtorjev in knjig. Trenutek izbire tiste ene knjige je vedno nekoliko zastra\u0161ujo\u010d. Na sre\u010do, ko pogledam nazaj, pa tudi na svoja nedavna branja, lahko re\u010dem, da bi \u0161tevilne knjige imele enako pomembno mesto v mojih razmi\u0161ljanjih o raznolikosti, iztirjenosti in iskanju ob\u010dutka sebe, tako klju\u010dnih za postajanje subjekt pravic. Vendar pa me je nekaj ganilo onkraj besed, ko sem brala Vrnitev v Reims Didierja Eribona, ki je bila prvotno objavljena leta 2009 in kasneje prevedena v angle\u0161\u010dino pri zalo\u017ebi Penguin Books.To je resni\u010dno prepri\u010dljiva in \u010dudovito napisana zgodba, ki jo pre\u010di tiso\u010d plasti pripadanja in zapu\u0161\u010danja, kot nikoli nedokon\u010dana melodija, ki pre\u010di ruralno in urbano, razred, spolno usmerjenost, izgubo, prelome in odkritja skozi \u017eivljenjski potek. Napisana s strani sociologa na najbolj ganljiv in iskren na\u010din, gre za spomin o postajanju – ali odra\u0161\u010danju, \u010de \u017eelite.Slog pisanja, ki se jasno naslanja na psihosocialni pristop, odmeva z marsi\u010dim, kar sem sre\u010dala med raziskovalnim delom s kvir ljudmi, katerih \u017eivljenjske zgodbe – ne glede na raznolika ozadja – oscilirajo okoli skupne bole\u010dine glede njihovega odnosa s svojim mestom izvora, bole\u010dine, ki je bodisi dnevna ali posredovana skozi pretekle spomine. Ali kdaj pobegnemo temu – v celoti? Ali sanjamo o vrnitvi – in to resno? Kaj je tisto, kar je tako stra\u0161no bole\u010de in hkrati neizogibno polno upanja, ko gledamo nazaj in postavljamo svojega otro\u0161kega jaza ob bok sebi danes? Ali je na\u0161e delo na\u010din, kako odgovarjamo na izzive, s katerimi smo se soo\u010dali takrat, ali pa nekako upamo, da lahko prispevamo k preoblikovanju prostora preprosto s tem, da sprejmemo, koliko smo se skozi \u010das spremenili? V enem stavku – to je zgodba o razhajanju, osvobajanju, be\u017eanju – za ponovno izgrajevanje. Popoln trenutek, da se spomnimo drugega neprekosljivega (fikcijskega?) pisca, ki je neko\u010d rekel: “V vsem je razpoka, tako tudi vstopi svetloba” (Leonard Cohen, Anthem). <\/p>\n\n

–<\/p>\n\n

L\u00ea mais [em esloveno]<\/a><\/p>\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

A convite da Sociedade Eslovena de Sociologia, a Professora Ana Cristina Santos contribuiu para a coluna Between the Lines – um espa\u00e7o onde a sociologia e a fic\u00e7\u00e3o se cruzam para interpretar o mundo social – partilhando um dos livros que mais influenciou o seu pensamento acad\u00e9mico e o seu percurso de investiga\u00e7\u00e3o. O trabalho […]<\/p>\n","protected":false},"featured_media":2874,"template":"","output-type":[54],"class_list":["post-3035","output","type-output","status-publish","has-post-thumbnail","hentry","output-type-divulgacao"],"acf":[],"_links":{"self":[{"href":"https:\/\/trace.ces.uc.pt\/pt-pt\/wp-json\/wp\/v2\/output\/3035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/trace.ces.uc.pt\/pt-pt\/wp-json\/wp\/v2\/output"}],"about":[{"href":"https:\/\/trace.ces.uc.pt\/pt-pt\/wp-json\/wp\/v2\/types\/output"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/trace.ces.uc.pt\/pt-pt\/wp-json\/wp\/v2\/media\/2874"}],"wp:attachment":[{"href":"https:\/\/trace.ces.uc.pt\/pt-pt\/wp-json\/wp\/v2\/media?parent=3035"}],"wp:term":[{"taxonomy":"output-type","embeddable":true,"href":"https:\/\/trace.ces.uc.pt\/pt-pt\/wp-json\/wp\/v2\/output-type?post=3035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}